Aristotle, Tragedy and Aranofsky: The Tragic Form and

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The general uses of philosophy just described are obviously of great academic value. Seminar 6: Jerrold Levinson, ‘Intention and Interpretation in Literature’, in Lamarque, Peter, and Stein Haugom Olsen, eds. That is, the pattern is necessarily beautiful but it is not essentially beautiful. (On the general distinction between necessity and essence, see Fine 1994.) Furthermore, we can think of that pattern without thinking of it as beautiful. As Dean Curtin writes: “Often in reading Greenberg’s work, one gets the impression that his analysis of taste owes more to the First Critique than to the Third.” 39 For Greenberg modernist reflection on the conditions of art making specifically concerns distinguishing and refining the qualities particular to each of the classical artistic media. “Each art,” he writes, “had to determine, through its own operations and works, the effects exclusive to itself.” 40 He presupposes that distinct media have qualities proper to them, and that clarification of these qualities will exhaust the formal conditions of the various arts.

Pages: 39

Publisher: Manor Publsishing Company (September 21, 2015)

ISBN: B015OVB7QK

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