Chaos Media: A Sonic Economy of Digital Space

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Language: English

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By analyzing the accumulating idea of the sublime as an aesthetic category (Burke, 1759; Kant, 1951 (1790); Longinus, 2010 (1899); Lyotard, 1994; Weiskel, 1976) I will argue that what is perceived with great enthusiasm by painters, poets and nature explorers (e.g. Today, Marxist critics, reader-response theorists and feminist critics have all emphasized the difficulty of generalizing about the responses of perceptive critics with different background assumptions and points of view.

Pages: 192

Publisher: Bloomsbury Academic (July 28, 2016)

ISBN: 150132442X

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