Six Names of Beauty

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Language: English

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Then and now, artistic practice often runs ahead of theory. Steinthal, Ursprung der Sprache (ed. 4, Berlin, 1888); Geschichte der Sprachwissenschaft bei den Griechen and komern (ed. 2, Berlin, 1890� 1891). Like the Russian Formalists and French Structuralists in the same period, the New Critics regarded what could be gleaned from the work of art alone as relevant to its assessment, but their specific position received a much-discussed philosophical defense by William Wimsatt and Monroe Beardsley in 1946.

Pages: 184

Publisher: Routledge (August 2, 2004)

ISBN: 0415965586

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Art historians and anthropologists typically do not identify with aesthetics either, unless their research involves art created in periods when aesthetics was still considered relevant. Finally, others involved with con-temporary art—critics, legal theorists, sociologists—also do not generally see themselves as concerned with aesthetics, since they regard it as part of philosophy rather than of their own fields Beethoven Kathleen Stock (OUP, 2007). ‘Expression' in The Oxford Handbook to the Emotions, (ed.) Peter Goldie, (OUP, 2009). ‘The Definition of Art’ in Philosophy Bites (eds) David Edmonds and Nigel Warburton (OUP, 2010). The interview can be found here: ‘Why we should give up on the Imagination’ in Mid-West Studies in Philosophy (eds) Peter French and Howard Wettstein (Blackwell, 2010). ‘Imagination, Fiction and Documentary’ in Narrative, Emotion, and Insight (eds) Noel Carroll and John Gibson (GPPC, 2011). ‘Arousal Theories’ in The Routledge Companion to Philosophy and Music (eds) Theodore Gracyk and Andrew Kania (Routledge, 2011). ‘Film, Literature, and Non-Cognitive Affect’ in New Takes in Film Philosophy (eds) Havi Carel and Greg Tuck (Palgrave Macmillan, 2011). 'Empathy and Knowledge' in Empathy, eds Peter Goldie and Amy Coplan (OUP, 2012). ‘Pictorial Representation and Psychology’, in The Aesthetic Mind, eds Peter Goldie and Elisabeth Schellekens (OUP, 2012). ‘Aesthetic Experience’ in The Continuum Companion to Aesthetics (ed) Anna Christina Ribiero (Continuum, 2012). ‘Wonder and Cognition’ in Practices of Wonder: Cross Disciplinary Perspectives (ed) Sophia Vasalou (Pickwick, 2012) , cited: Walter Benjamin: Selected Writings, Volume 2: Part 2: 1931-1934 download pdf.

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